I've not posted for several days because of the preliminary rehearsals in which I've been involved. These have been very useful sessions and we are fortunate to have a wonderful rehearsing space in the form of a colonial-style private residence in the middle of George Town (picture below) that houses the Hubbard harpsichord we are using. The players are getting accustomed to the instruments and the style of the music, and have a much clearer idea of how much to prepare for the concert. There will now be a break until Boxing Day, when we will recommence with the full complement of players.
The biggest challenge so far has been the 415 pitch which had initially troubled some of the string players, but within a few hours of rehearsing things began to improve and at the end of the first day the ensemble had more or else embraced their new pitch. A few things yet to be polished in that area obviously, and some intonation work to be done at home but I think individual practice will solve any lingering issues.
Another challenge has been the use of the baroque bow. Some of the players have never even held one in their life but, rather remarkably, they have managed to adapt within the short space of time we've so far had. Good bows make a huge difference. The cellist (Beatrice Cheah - pictured) had bought a baroque bow which she was feeling reluctant to use because - interestingly for a modern cellist - she found it too heavy; with the Doe that I brought she seems quite at ease.
Another observation is how well the gut strings have responded in this climate (25 - 30 degrees outside, 60% humidity indoors) although on the gamba the top string is gradually fraying. I've had it on for about a month. The second violinist is coping well despite never having played a baroque violin.
This morning began with a keyboard masterclass and demonstration for music students, largely from the Universiti Sains Malaysia, as well as other enthusiasts. The students had the opportunity to see the how the harpsichord was tuned and how the jacks operate. Pieces played included Beethoven's Waldstein on the Bösendorfer, as well as Mozart's C minor Sonata and Fantasia, and Scarlatti on the harpsichord.
